imgfave:

Posted by MamaC

imgfave:

Posted by MamaC

foobar137:


The good thing about being stuck on the Jungle Cruise: how often do you get to do a panorama of the elephant bathing pool?

foobar137:

The good thing about being stuck on the Jungle Cruise: how often do you get to do a panorama of the elephant bathing pool?

rachelsohphotography:

NYE at Marina Bay Sands. // This was the first time I’ve ever properly celebrated New Year’s with fireworks. It required 2hours of sitting on the ground with no personal space, and waiting for the train with about 20 thousand other people. But I’m pretty stoked on some of the moments I got to capture. It was certainly an adventurous way to usher in the new year. rachelsohphotography:

NYE at Marina Bay Sands. // This was the first time I’ve ever properly celebrated New Year’s with fireworks. It required 2hours of sitting on the ground with no personal space, and waiting for the train with about 20 thousand other people. But I’m pretty stoked on some of the moments I got to capture. It was certainly an adventurous way to usher in the new year. rachelsohphotography:

NYE at Marina Bay Sands. // This was the first time I’ve ever properly celebrated New Year’s with fireworks. It required 2hours of sitting on the ground with no personal space, and waiting for the train with about 20 thousand other people. But I’m pretty stoked on some of the moments I got to capture. It was certainly an adventurous way to usher in the new year. rachelsohphotography:

NYE at Marina Bay Sands. // This was the first time I’ve ever properly celebrated New Year’s with fireworks. It required 2hours of sitting on the ground with no personal space, and waiting for the train with about 20 thousand other people. But I’m pretty stoked on some of the moments I got to capture. It was certainly an adventurous way to usher in the new year. rachelsohphotography:

NYE at Marina Bay Sands. // This was the first time I’ve ever properly celebrated New Year’s with fireworks. It required 2hours of sitting on the ground with no personal space, and waiting for the train with about 20 thousand other people. But I’m pretty stoked on some of the moments I got to capture. It was certainly an adventurous way to usher in the new year. rachelsohphotography:

NYE at Marina Bay Sands. // This was the first time I’ve ever properly celebrated New Year’s with fireworks. It required 2hours of sitting on the ground with no personal space, and waiting for the train with about 20 thousand other people. But I’m pretty stoked on some of the moments I got to capture. It was certainly an adventurous way to usher in the new year. rachelsohphotography:

NYE at Marina Bay Sands. // This was the first time I’ve ever properly celebrated New Year’s with fireworks. It required 2hours of sitting on the ground with no personal space, and waiting for the train with about 20 thousand other people. But I’m pretty stoked on some of the moments I got to capture. It was certainly an adventurous way to usher in the new year. rachelsohphotography:

NYE at Marina Bay Sands. // This was the first time I’ve ever properly celebrated New Year’s with fireworks. It required 2hours of sitting on the ground with no personal space, and waiting for the train with about 20 thousand other people. But I’m pretty stoked on some of the moments I got to capture. It was certainly an adventurous way to usher in the new year. rachelsohphotography:

NYE at Marina Bay Sands. // This was the first time I’ve ever properly celebrated New Year’s with fireworks. It required 2hours of sitting on the ground with no personal space, and waiting for the train with about 20 thousand other people. But I’m pretty stoked on some of the moments I got to capture. It was certainly an adventurous way to usher in the new year.

rachelsohphotography:

NYE at Marina Bay Sands. // This was the first time I’ve ever properly celebrated New Year’s with fireworks. It required 2hours of sitting on the ground with no personal space, and waiting for the train with about 20 thousand other people. But I’m pretty stoked on some of the moments I got to capture. It was certainly an adventurous way to usher in the new year.

visualdocumentary:

Big Buddha visualdocumentary:

Big Buddha

visualdocumentary:

Big Buddha

cross-connect:

Minimize Food by William Kass
Posted to Cross-Connect by Sunil cross-connect:

Minimize Food by William Kass
Posted to Cross-Connect by Sunil cross-connect:

Minimize Food by William Kass
Posted to Cross-Connect by Sunil cross-connect:

Minimize Food by William Kass
Posted to Cross-Connect by Sunil cross-connect:

Minimize Food by William Kass
Posted to Cross-Connect by Sunil cross-connect:

Minimize Food by William Kass
Posted to Cross-Connect by Sunil cross-connect:

Minimize Food by William Kass
Posted to Cross-Connect by Sunil cross-connect:

Minimize Food by William Kass
Posted to Cross-Connect by Sunil cross-connect:

Minimize Food by William Kass
Posted to Cross-Connect by Sunil cross-connect:

Minimize Food by William Kass
Posted to Cross-Connect by Sunil

cross-connect:

Minimize Food by William Kass

Posted to Cross-Connect by Sunil

stevemccurrystudios:


"There are some parts of the world that, once visited, get into your heart and won’t go. For me, India is such a place. When I first visited, I was stunned by the richness of the land, by its lush beauty and exotic architecture, by its ability to overload the senses with the pure, concentrated intensity of its colors, smells, tastes, and sounds… I had been seeing the world in black & white and, when brought face-to-face with India, experienced everything re-rendered in brilliant technicolor."- Keith Bellows, National Geographic Society
stevemccurrystudios:


"There are some parts of the world that, once visited, get into your heart and won’t go. For me, India is such a place. When I first visited, I was stunned by the richness of the land, by its lush beauty and exotic architecture, by its ability to overload the senses with the pure, concentrated intensity of its colors, smells, tastes, and sounds… I had been seeing the world in black & white and, when brought face-to-face with India, experienced everything re-rendered in brilliant technicolor."- Keith Bellows, National Geographic Society
stevemccurrystudios:


"There are some parts of the world that, once visited, get into your heart and won’t go. For me, India is such a place. When I first visited, I was stunned by the richness of the land, by its lush beauty and exotic architecture, by its ability to overload the senses with the pure, concentrated intensity of its colors, smells, tastes, and sounds… I had been seeing the world in black & white and, when brought face-to-face with India, experienced everything re-rendered in brilliant technicolor."- Keith Bellows, National Geographic Society
stevemccurrystudios:


"There are some parts of the world that, once visited, get into your heart and won’t go. For me, India is such a place. When I first visited, I was stunned by the richness of the land, by its lush beauty and exotic architecture, by its ability to overload the senses with the pure, concentrated intensity of its colors, smells, tastes, and sounds… I had been seeing the world in black & white and, when brought face-to-face with India, experienced everything re-rendered in brilliant technicolor."- Keith Bellows, National Geographic Society
stevemccurrystudios:


"There are some parts of the world that, once visited, get into your heart and won’t go. For me, India is such a place. When I first visited, I was stunned by the richness of the land, by its lush beauty and exotic architecture, by its ability to overload the senses with the pure, concentrated intensity of its colors, smells, tastes, and sounds… I had been seeing the world in black & white and, when brought face-to-face with India, experienced everything re-rendered in brilliant technicolor."- Keith Bellows, National Geographic Society
stevemccurrystudios:


"There are some parts of the world that, once visited, get into your heart and won’t go. For me, India is such a place. When I first visited, I was stunned by the richness of the land, by its lush beauty and exotic architecture, by its ability to overload the senses with the pure, concentrated intensity of its colors, smells, tastes, and sounds… I had been seeing the world in black & white and, when brought face-to-face with India, experienced everything re-rendered in brilliant technicolor."- Keith Bellows, National Geographic Society
stevemccurrystudios:


"There are some parts of the world that, once visited, get into your heart and won’t go. For me, India is such a place. When I first visited, I was stunned by the richness of the land, by its lush beauty and exotic architecture, by its ability to overload the senses with the pure, concentrated intensity of its colors, smells, tastes, and sounds… I had been seeing the world in black & white and, when brought face-to-face with India, experienced everything re-rendered in brilliant technicolor."- Keith Bellows, National Geographic Society
stevemccurrystudios:


"There are some parts of the world that, once visited, get into your heart and won’t go. For me, India is such a place. When I first visited, I was stunned by the richness of the land, by its lush beauty and exotic architecture, by its ability to overload the senses with the pure, concentrated intensity of its colors, smells, tastes, and sounds… I had been seeing the world in black & white and, when brought face-to-face with India, experienced everything re-rendered in brilliant technicolor."- Keith Bellows, National Geographic Society
stevemccurrystudios:


"There are some parts of the world that, once visited, get into your heart and won’t go. For me, India is such a place. When I first visited, I was stunned by the richness of the land, by its lush beauty and exotic architecture, by its ability to overload the senses with the pure, concentrated intensity of its colors, smells, tastes, and sounds… I had been seeing the world in black & white and, when brought face-to-face with India, experienced everything re-rendered in brilliant technicolor."- Keith Bellows, National Geographic Society
stevemccurrystudios:


"There are some parts of the world that, once visited, get into your heart and won’t go. For me, India is such a place. When I first visited, I was stunned by the richness of the land, by its lush beauty and exotic architecture, by its ability to overload the senses with the pure, concentrated intensity of its colors, smells, tastes, and sounds… I had been seeing the world in black & white and, when brought face-to-face with India, experienced everything re-rendered in brilliant technicolor."- Keith Bellows, National Geographic Society

stevemccurrystudios:

"There are some parts of the world that, once visited, get into your heart and won’t go. For me, India is such a place. When I first visited, I was stunned by the richness of the land, by its lush beauty and exotic architecture, by its ability to overload the senses with the pure, concentrated intensity of its colors, smells, tastes, and sounds… I had been seeing the world in black & white and, when brought face-to-face with India, experienced everything re-rendered in brilliant technicolor."
- Keith Bellows, National Geographic Society

photojojo:

We’ve been transfixed by this incredible series of double exposures by Beijing-based photographer Xiao Yang.
In Love Letters, Xiao creates dreamy portraits against the backdrop of abandoned buildings and derelict structures.
Double Exposure Portraits Against the Backdrop of Urban Decay
via Boing Boing photojojo:

We’ve been transfixed by this incredible series of double exposures by Beijing-based photographer Xiao Yang.
In Love Letters, Xiao creates dreamy portraits against the backdrop of abandoned buildings and derelict structures.
Double Exposure Portraits Against the Backdrop of Urban Decay
via Boing Boing

photojojo:

We’ve been transfixed by this incredible series of double exposures by Beijing-based photographer Xiao Yang.

In Love Letters, Xiao creates dreamy portraits against the backdrop of abandoned buildings and derelict structures.

Double Exposure Portraits Against the Backdrop of Urban Decay

via Boing Boing

photojojo:

Every year in Spain’s Catalonia region, thousands gather for the Concurs de Castells, better known as the world’s largest human tower competition.
Local photographer David Oliete put together a series of photographs that wonderfully capture the spirit of this incredible event.
Photos From the World’s Largest Human Tower Competition
via The Phoblographer  photojojo:

Every year in Spain’s Catalonia region, thousands gather for the Concurs de Castells, better known as the world’s largest human tower competition.
Local photographer David Oliete put together a series of photographs that wonderfully capture the spirit of this incredible event.
Photos From the World’s Largest Human Tower Competition
via The Phoblographer  photojojo:

Every year in Spain’s Catalonia region, thousands gather for the Concurs de Castells, better known as the world’s largest human tower competition.
Local photographer David Oliete put together a series of photographs that wonderfully capture the spirit of this incredible event.
Photos From the World’s Largest Human Tower Competition
via The Phoblographer 

photojojo:

Every year in Spain’s Catalonia region, thousands gather for the Concurs de Castells, better known as the world’s largest human tower competition.

Local photographer David Oliete put together a series of photographs that wonderfully capture the spirit of this incredible event.

Photos From the World’s Largest Human Tower Competition

via The Phoblographer 

subtilitas:

Lucio Morini & GGMPU Arquitectos - Civic center, Córdoba 2012. Via, photos (C) Claudio Manzoni, Leonardo Finotti. subtilitas:

Lucio Morini & GGMPU Arquitectos - Civic center, Córdoba 2012. Via, photos (C) Claudio Manzoni, Leonardo Finotti. subtilitas:

Lucio Morini & GGMPU Arquitectos - Civic center, Córdoba 2012. Via, photos (C) Claudio Manzoni, Leonardo Finotti. subtilitas:

Lucio Morini & GGMPU Arquitectos - Civic center, Córdoba 2012. Via, photos (C) Claudio Manzoni, Leonardo Finotti.

subtilitas:

Lucio Morini & GGMPU Arquitectos - Civic center, Córdoba 2012. Via, photos (C) Claudio Manzoni, Leonardo Finotti.

papress:

Book Talk and Signing with John ComazziTuesday, June 24 at 5:30pmThe Cliff Dwellers Club, Chicago
In conjunction with the new exhibit Inflected Modernism: The Architecture Photography of Balthazar Korab, John Comazzi will be speaking at the Cliff Dwellers Club. He will sign copies of Balthazar Korab: Architect of Photography. This event is free and open to the public. papress:

Book Talk and Signing with John ComazziTuesday, June 24 at 5:30pmThe Cliff Dwellers Club, Chicago
In conjunction with the new exhibit Inflected Modernism: The Architecture Photography of Balthazar Korab, John Comazzi will be speaking at the Cliff Dwellers Club. He will sign copies of Balthazar Korab: Architect of Photography. This event is free and open to the public. papress:

Book Talk and Signing with John ComazziTuesday, June 24 at 5:30pmThe Cliff Dwellers Club, Chicago
In conjunction with the new exhibit Inflected Modernism: The Architecture Photography of Balthazar Korab, John Comazzi will be speaking at the Cliff Dwellers Club. He will sign copies of Balthazar Korab: Architect of Photography. This event is free and open to the public. papress:

Book Talk and Signing with John ComazziTuesday, June 24 at 5:30pmThe Cliff Dwellers Club, Chicago
In conjunction with the new exhibit Inflected Modernism: The Architecture Photography of Balthazar Korab, John Comazzi will be speaking at the Cliff Dwellers Club. He will sign copies of Balthazar Korab: Architect of Photography. This event is free and open to the public.

papress:

Book Talk and Signing with John Comazzi
Tuesday, June 24 at 5:30pm
The Cliff Dwellers Club, Chicago

In conjunction with the new exhibit Inflected Modernism: The Architecture Photography of Balthazar Korab, John Comazzi will be speaking at the Cliff Dwellers Club. He will sign copies of Balthazar Korab: Architect of Photography. This event is free and open to the public.